"The Norwegian Berger Myhre, educated in Amsterdam and Brussels, seems to own this type of dry humor as an inherent part of her dance works.You have to like it (...). It is at the same time laughable and sweet, as they try to share everything (even each other’s talent) in this small hour full of playfully performed nonsense-games."

"This is a party to watch."

"Seeing your work with Lasse Passage last night for the opening of imagetanz made me feel nostalgic and weirdly proud, and mostly happy that you keep making works in which apparent simplicity is backed up by carefully composed scores.”

“I’m reluctant to describe the performance as “feel-good”, in lack of better words. It mustn’t be misunderstood as light-hearted entertainment, because Panflutes and Paperwork comes across as an interested study with a pronounced purpose.”

"...we as audience are offered a nice balance of feel good, poetic images and musicality on a high level."

“It felt good to see something succeeding in being humorous, heartfelt and serious at the same time."

“Panflutes and Paperwork is a captivatingly light-footed and at the same time introducing all the depths (…) about the complexity of any relationship apart from rigid rules.”

"(...)in their absolutely rhythmical, humourous, unpretensious and wonderfully playful duo “Panflutes and Paperwork”, a lot of things are new: the relationship between music and dance, from movement in its theatrical reading and scores, from methodical craft and expression.”

“Berger Myhre and Passage use this premise with unpretentious charm to stage a sophisticated show in which the dancer and the musician also swap roles. (...) Here it becomes clear that intelligence and wits simply belong together.”